All Theo Van Rysselberghe's oil paintings

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73886

Anna Boch in her Atelier

Anna Boch in her Atelier 1893(1893) cjr

54288

Family in an Orchard

mk235 1890 Oil on canvas 115.3x163.5cm

23156

Family in an Orchard (nn02)

1890 Oil on canvas,45 1/2 x 64 3/8'' Collection State Museum Kroller-Muller,Otterlo

94262

Four Bathers

cjr

82238

Lady in White - Portrait of Mrs. Theo Van Rysselberghe

Date 1926(1926) Medium Oil on canvas Dimensions 91.5 x 73 cm (36 x 28.7 in) cjr

73809

Madame Von Bodenhausen avec son enfant Luli ,

ThXodoor van Rysselberghe (1862-1926): Madame Von Bodenhausen avec son enfant Luli , Oil painting, 1910 cjr

94263

Magnolias

1910 cjr

11594

Man at the Helm

1892 1' 11 3/4'' x 2' 7 1/2''(60.2 x 80.3 cm)Gift of Mrs.Ginette Signac,1976

73447

Portrait de Madame Charles Maus

Date 1890(1890) Medium Oil on canvas Dimensions 142.24 cm X 119.38 cm cyf

54287

Portrait of Auguste Descamps

mk235 1894 Oil on canvas

72060

Portrait of Madame Charles Maus

1890(1890) Oil on canvas 142.24 cm X 119.38 cm cjr

94261

Portrait of Madame van Rysselberghe and daughter

cjr

94260

Portrait of Marguerite van Mons who later married Thomas Braun

1886(1886) Medium oil on canvas Dimensions 89.5 x 70.5 cm (35.2 x 27.8 in) cjr

11595

Sailboats and Estuary

ca 1892-1893 1' 7 3/4'' x 2'(50 x 61 cm)

71124

signac on his boat

mk290 1896 canvas 36x44in private collection

86196

Sitzender Akt

1905(1905) Medium Oil on cardboard Dimensions 37 x 26.5 cm (14.6 x 10.4 in) cyf

81237

The Sisters of the Painter Schlobach

Date 1884(1884) Medium Oil on canvas cjr

85271

The Sisters of the Painter Schlobach

1884(1884) Medium Oil on canvas cyf

98173

The Sisters of the Painter Schlobach

1884(1884) Medium oil on canvas cyf

40859

The Woman in White

mk156 1904 Oil on canvas

Theo Van Rysselberghe

Belgian Pointillist Painter, 1862-1926 was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the century. Born in Ghent to a French-speaking bourgeois family, he studied first at the Academy of Ghent under Theo Canneel and from 1879 at the Academy of Brussels under the directorship of Jean-François Portaels. The North African paintings of Portaels had started an orientalist fashion in Belgium. Their impact would strongly influence the young Theo van Rysselberghe. Between 1882 and 1888 he made three trips to Morocco, staying there a total of one year and half. Barely 18 years old, he already participated at the Salon of Ghent, showing two portraits. Soon afterwards followed his Self-portrait with pipe (1880), painted in somber colours in the Belgian realistic tradition of that time. His Child in an open spot of the forest (1880) already departs from this style and he sets his first steps towards impressionism.

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